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March 31, 2009
Posted: 1642 GMT
Dumbfounding audience expectations is nothing new in vampire movies. Many vamp movies have traded on wrong footing the viewer, portraying night crawlers variously as rock stars (“Queen of the Damned, 2002), criminals (“From Dusk Till Dawn,” 1996), addicts (“The Hunger,” 1983), aristocrats (“Interview With The Vampire,” 1994) - and even victims.
Eli the child vampire in Tomas Alfredson’s 'Let The Right One In.'
Kathryn Bigelow’s hugely influential 1987 tale of a farm boy who falls in with the wrong crowd, “Near Dark,” has been credited with reinventing the vampire as a tragic figure, an addict chained to the constant search for fresh blood. It is a vision that is replicated in comic-book movies, like the “Blade” franchise. Wesley Snipes stars as the titular vampire hunter who is half-man, half-vampire who can walk around by day but shares his half-brothers’ thirst for blood and is tormented by it. Swedish Tomas Alfredson’s vampire love story, “Let the Right One In,” is the latest example of the surprises the genre can contain. It's being hailed as rethinking the vampire formula and has won an impressive clutch of awards, including Best Narrative Picture at Tribeca Film Festival last year. Set in the early 80s in a frigid suburb in Sweden - and shot in a bleak social-realist style that brings the temperature down even further - "Let The Right One In" documents the touching relationship between 12 year-old, bullied Oskar, and tough little Eli, who moves in next door. Oskar is so pale he is almost translucent and his fragility seems to to draw Eli to him, even though when they first meet she tells him, “We can't be friends ... you know.” What ensues is a touching story of childhood love. Eli, who despite being a vampire is cast as a tragic, almost pathetic soul somehow manages to control her bloodlust around Oskar, and the two outcasts find a soul mate. But “Let The Right One In” is not all about puppy love. There are grisly murders - after all, we are dealing with a creature that needs human blood to survive - but the anticipation of sensational deaths and thrilling gore we are trained as audiences to expect from vamp movies is pushed firmly into the background. On the surface Oskar and Eli may look like pure pre-teen soul mates. But, remember, Eli is very, very old. And the underlying question is: is she really a victim or is she an arch-manipulator who is grooming Oskar to be her human caretaker? What do you think is the greatest vampire movie ever? Posted by: CNN screening room digital producer, Mairi Mackay
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The Screening Room brings you the inside track on all aspects of the movie business around the globe. Find out what goes on behind the scenes as we cover major film festivals and premieres and meet the directors and actors that matter. Recent Posts
@cnnscreen: New Blog Entry, "The experts' 20 best movies of 2009" - http://tinyurl.com/yc8q7l7
Updated: Fri, 18 Dec 2009 17:50:08 +0000 @cnnscreen: New Blog Entry, "Jude Law 'in love' with 'Sherlock Holmes' co-star Robert Downey Jr." - http://tinyurl.com/ybvxkzy
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Updated: Tue, 15 Dec 2009 15:34:40 +0000 @cnnscreen: New Blog Entry, "Stars gather as Marrakech rolls out the red carpet" - http://tinyurl.com/yeqpsg4
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